It was so refreshing to read Perahia’s comments relating to contemporary music and his preference for tonality, in particular the ingenious work of J.S. Bach. His explorations into the harpsichord and subsequent decisions about the use of pedaling in Bach’s music are also fascinating! His interview prompted a search for his Goldberg Variations recording and it truly is exquisite:
In an approachable and humble manner, Perahia shares about his editing work, his views on symphonic music, teachers who have influenced him, and more. I especially appreciated his closing remarks on how having a decided “point of view…inform[s] a lot of my musical decisions.” Whether in music or life, it’s good to be reminded that there is value in having a “tonal center” to ground us even when popular opinion presumes that all that is new must be embraced with equal fervor. I’m grateful for artists like Murray Perahia who continue to value and preserve and share the timeless beauty of yesteryear.