One of my favorite resources to help students develop their rhythm and sight reading skills is the Rhythm and Sight Reading cards from Piano Safari. These are great to use as a supplement even if you don’t use the method books. Levi agreed to demonstrate how we utilize these cards:
After tapping the rhythm pattern, they move to the piano keyboard and select one key for each hand, then for the final run-through they improvise using the rhythm pattern for each hand.
Levi has struggled for quite a while with his sight reading skills, so we tried something a few weeks ago that has worked wonders for him! Before playing through the line of music on the piano, he audiates (hums or vocalizes) the pattern while “ghost” playing the fingers on his lap that he will use to play the line on the piano.
He demonstrates the same approach for the bass clef pattern. It has been amazing to watch his skill (and even his enjoyment!) of sight reading develop just from this simple exercise!
At the beginning of September I mentioned a cool piano book I had come across called 4 Afro-Caribbean Songs for 5 Right Hands at 1 Piano. After much sweat and many hours of counting I am happy to report that we were able to pull together the lively Linstead Market arrangement. I think everyone is beginning to grasp the necessity of learning how to count rhythms precisely while also listening to how all the parts work together to create the whole. Mission accomplished!
Hopefully there will be many more ensembles to come in the days ahead!
Sometimes when students are preparing for a performance I encourage them to “improvise” when they get stuck or have a memory lapse. Some students understand this, but for others who are younger or more concrete thinkers, I found a very simple phrase this week to help them keep going in a performance. Around 1:27 in the following video you’ll hear Claire say, “I forgot that part.” All I had to say was “Just make it up” for her to turn right back around and keep playing. For Claire, who is highly literal, this phrase made perfect sense and she was able to improvise some chords until she got back on track. It’s simple, but I have heard it said that it’s better to teach the same thing seven different ways than seven things one way. Now I have one more easy way to teach students to keep going through any performance!
Also, having just participated in George Litterst’s live webinar on Making Sense Out of Digital Scores, I resisted the urge to print out the 50 pages and instead gave them a run-through on my iPad mini. True to past experience, I thoroughly enjoyed the selection of very accessible intermediate arrangements. I particularly liked the cool factor of “God Rest Ye Merry, Gentlemen.” If you’ll forgive my less-than-stellar rendition of it, you can watch my recording of the arrangement (even though it’s not polished hopefully it will give you a good idea of the style):
Now, the moment you’ve been waiting for…James has kindly offered to giveaway one copy of Sacred Christmas, Volume 2, to a Music Matters Blog reader! Just leave a comment below to be entered in the drawing. Winners will be drawn on Friday, December 11, at noon (CST) using a random number generator. This will provide some great playing time for you or an intermediate level piano student in your studio!
The Science of Sound today explores two remarkable instruments – the piano and the glass armonica.
Students use their music vocabulary knowledge to attempt to translate the meaning of Cristofori’s original name for his musical instrument invention: the gravicembalo col piano e forte.
Next everyone gets to take a turn trying to produce a tone similar to one on a glass armonica by rubbing their finger around the rim of a wine glass containing water.
Wrapping up a fun week for a crazy bunch!
Reviewing proper performance procedures before the parents arrive. These admittedly cheesy performance signs still seem to do the trick of helping students visualize and remember each aspect of their performance!
Let’s practice bowing!
The parents are here and we are ready to entertain them with our own original Carnival of the Animals! Each student has written a brief narration to introduce their composition (ala Ogden Nash) – love the clever creativity!
Have you ever had a student come into their lesson thrilled to show you the new song that their friend just taught them? Only to discover that it’s at the top of every piano teacher’s list of Most Disliked Songs? You know which one I’m talking about, don’t you? Yup. Heart and Soul. But, as much as you might want to plug your ears and scream the next time you hear it, the reality is that students love playing it! Plus, it can serve as the perfect tool for learning to improvise freely using the chord progression in it. In this video Claire demonstrates the Heart and Soul remix she came up with just for fun:
As I’ve attended music teacher workshops and conferences over the years, one of the highlights has always been attending master classes. I love watching other teachers interact with students and gleaning insights that I can utilize in my own teaching. Musaic – an initiative of New World Symphony – seeks to bring masterclasses and dozens of other videos from professional musicians right to your fingertips! In addition to masterclasses, you can view a growing collection of performances, tips, and how-to videos that will prove beneficial to music teachers and students alike. What a great project!
One of the things that I love about teaching piano is the challenge of figuring out how to integrate every part of the student’s learning so that they understand concepts in a relevant way. One of the ways this can be done very effectively is through structured improvisation assignments.
If you’ve been a reader on Music Matters Blog for any length of time you know that I’m a huge fan of Pattern Play as the most effective approach I’ve found to truly teaching improvisation at the piano. But now that most of my students (and I!) have become more comfortable improvising, we create a variety of assignments from week to week that utilize improvising as a way to help students cement various musical concepts.
Right now Mercy is learning chord inversions as part of her Theory and Technique section in our C2 practice incentive theme, so this was the short piece she improv-ed using a c-minor chord and inversions:
It’s amazing how much more exciting and relevant theory concepts are when you see them become a creative expression like this!