Have you ever had students completely blow the performance of a piece that they’ve played numerous times without a glitch? Or have you ever been that performer? I raise my hand. Learning how to memorize cognitively has made all the difference for me, and I’ve used it over and over again to help students (even those who thought they didn’t need it!) prepare for an effective memorized performance. One way we approach this is by determining the form of the piece and creating little cards with labels for each section.
Here, Robert is in the final stages of preparation for a performance of “Lights in the Water” by Robert Vandall (this has become his all-time favorite piece!). We quickly created cards with labels for each section and began by placing them in order on the music rack. I had him play through it once by memory, taking mental note of each section as he got to it in his performance.
After one run-through, we scrambled the cards and placed them on the music rack for a second performance. He got lucky starting again with A-B! After that, though, the order was mixed up, so he had to see if he could recall how each section started and ended in order to play them in the arranged order.
This is a very helpful tool for creating a mental road map that can guide the student during a performance. Plus, even if they do get stuck in one section, they can easily move on to the next section without panicking! Anything that engages the brain to aid in a memorized performance is a step in the right direction toward cognitive memory and not solely muscle memory.
Cristina says
I really like this idea for memorization. Could you give an example of what it would say on each card? I’m not sure exactly what you mean by “label”.
natalie says
Sure! We go through and label the form of the piece using the traditional labels (Intro, A, B, A1, Coda, etc.). Then we place each of those labels on its own card and that’s what we use for the memorization. Hope that makes sense!
Cadence says
I like your idea and really it is amazing while playing the piano anywhere.