It’s Beginning to Sound a Lot Like Christmas

Is everyone else knee-deep in Christmas books these days?! I confess, spending a gorgeous Saturday afternoon in the basement studio trying to select Christmas music for all of my students wasn’t at the top of my list of favorite activities for this past weekend. But I knew it needed to be done, so I made a few preparations:

1. Brew a pot of tea to sip on while I work.

2. Light a candle to create a better ambiance.


3. Spread out the newly acquired Christmas books and start playing!

I’m pretty picky when it comes to selecting recital music, so I didn’t get everything figured out that I was hoping to, but it’s a start! And I even started enjoying myself more once I got into it. :-) In fact, I decided to share with you one of the surprising favorites that I ran across. It’s a lovely rendition of Silent Night, arranged by Melody Bober (located in Christmas Encores, Book 1):

Have you all found any new gems this year? Or any old favorites that you would recommend?

Marshmallows and Music Festival!

Last Saturday, one of our local associations held a fall festival dubbed, Marshmallows and Music. I’ve always wanted to put on an outdoor recital, so I was thrilled to be a part of this group effort! We couldn’t have asked for a more perfect day for our inaugural effort of what may become a yearly favorite!


One of our members graciously invited us to use her home/tree farm for the festive occasion. Isn’t it gorgeous?!


Each of the students donned their brightly colored festival t-shirt for the occasion! Several rows of chairs provided seating for the students just in front of the deck so that we could quickly work through each of the performances. Family members and friends brought chairs and blankets to place on the lawn where they could listen and enjoy the performances.


Here’s a snapshot of all of my students who participated in the event (except for one who disappeared right before we took the picture!).


Ben, Joey, and Jed did a great job working together to prepare a captivating performance of, Secrets, by OneRepublic for the event.


Noelle, Naomi, and Amanda did a lovely job with their rendition of, Impromptu, by Gurlitt.

I am so proud of each of my students and their musical performances! And I’m so grateful for the dedication of other teachers in the area that enables us to collaborate and put on events like this for the benefit of our students, their families, and the broader community.

Are any of you involved in festivals with your students this fall?

Review and Giveaway of Titanic: A Voyage In Piano Music by Rebekah Maxner

2012 marks the 100th anniversary of one of the most tragic, but unforgettable events in history: the sinking of the RMS Titanic. The heart-wrenching story of the demise of one the grandest ocean-liner of its time has captured the imaginations of people for decades. Many have been inspired by the valiant sacrifice of the men on board, and thousands watched in fascination when its watery grave was discovered in 1986. Now, nearly 100 years after the fateful day, Rebekah Maxner has published a collection of books to keep the memory of the Titanic alive in the minds and hearts of pianists everywhere.

Titanic: A Voyage in Piano Music is available as both an elementary level piano book with optional duets and an intermediate level piano solo book. Each volume includes nine repertoire selections that “recount the tale of the Titanic’s one and only voyage: original music that captures the mood of the day, numbers that were performed for passengers by the hired White Star Line musicians, popular music that would have been played by Third Class passengers who had their own instruments, and music that was bravely played as the ship was sinking.”


As if this weren’t enough by itself, Rebekah has also included a variety of black and white photos from the Titanic and its passengers, and a paragraph of historical notes for each repertoire selection. The books are truly beautiful and will be loved by pianists everywhere!

Now…the moment you’ve all been waiting for. :-) Rebekah has kindly offered to giveaway two copies of these Titanic books to two Music Matters Blog reader. Just leave a comment below to be entered in a drawing to win one of these books for yourself or a special student! The giveaway will end at noon (CST) on Thursday, October 13, and the winner will be drawn using a random number generator.

September Surprise is Tonight!

All year long we anticipate and prepare for this occasion. Okay, maybe that’s a bit of overkill, but the September Surprise! is definitely a highlight in our studio. Since I take off the whole month of August for brainstorming and planning our theme, selecting new repertoire, and traveling (more of that than the others this year!), I haven’t seen any of my students for over a month. The September Surprise! is my clever way of conning them into continuing to practice hard even when they’re not taking regular lessons fun way of welcoming everyone back and gearing up for an exciting new year of hard work!

We will be playing interactive games, listening to each other play their surprise selections, and, of course, announcing the theme for the year! I’m quite proud of myself for not slipping up and letting out anything about this year’s theme, so it will be a complete surprise to all the students. :-) And tomorrow, I will let you all in on it too! If you’ve got a theme for this year, I’d love to hear about it. Maybe we can even compile a list of themes/practice incentives that teachers are doing all around the world. Wouldn’t that be fun?!

Today is the Big Day – Entrepreneurship Meets Music Student!

My students and I have been eagerly anticipating this day all year long! Tonight is the culmination of our year of Quest for Capital! Tonight is…The Gallery!

I think of tonight’s event as a sort of entrepreneurship-meets-music-student endeavor. Part of my vision was to give students a framework to work within to develop creative projects that relate to music in some way. Yes, we want to become excellent pianists, but it’s also important for us to see music in the context of the world around us. All of life should be cohesive and integrated. We shouldn’t fragment and segment the pieces of our lives into separate corners, but rather find ways to interlock them (like a puzzle) so that they form a beautiful whole.

Ultimately, I believe that Jesus Christ is the one by whom everything is held together in life (see Colossians 1). He gives meaning and purpose to every worthy pursuit. Within our lives, though, there are so many possibilities for us and our students to integrate music with other areas. That’s what I hope each of my students has gleaned and continues to remember from their preparations for tonight. I also wanted them to experience how exciting it is to be a producer and not merely a consumer in our society. And there are lots of other things that I hope this year’s practice incentive theme has accomplished as well :-) …but for now, here’s a list of the projects that will be on display at The Gallery:

  • A Year of Praise with Psalm 150 Calendar
  • Capturing God’s Creation Musical Slideshow
  • From His Heart to Mine CD
  • In Our Valleys Music Book
  • Musical Art – “Castle”
  • Musical Keychains
  • Musical Treats
  • Piano Bracelet
  • Piano Masterpiece Pencil Drawing
  • Quotable Mug Raffle Drawing
  • Set of Customizable Musical Postcards
  • Students’ Classics CD
  • Sunflowers in the Rain Sheet Music
  • The Abandoned Amusement Park Sheet Music
  • The Magnificently Amazing Music Book Holder
  • The MuZine
  • The Space Book

Monday Mailbag – Structuring Recitals

In the past I’ve done the recital where we start with the simplest pieces and work to the most complex. That has worked out pretty much following ages, with the exception of a few younger really gifted kids who make it to the older age group. But now I have some older beginners who will be playing some simple pieces, so I was thinking of creating different “sections” to the recital, like a “show tune” section, a “classics” section, etc. That way I can mix up the ages a little better, more naturally…But I was wondering what others do in this situation?

Growing up, my teachers always followed this method to structuring recitals, too – the earliest level pieces to the most advanced. But for some reason, I’ve never been a fan of that approach. One of my biggest priorities with recitals has always been to plan an event that people will want to attend over and over again. (You can read the post, 7 Tips for Enjoyable Recitals, for a bit more on this topic!) So the idea of a systematic easiest-to-hardest-piece program doesn’t appeal to me at all.

For our annual Christmas recital, I usually include some sort of narration, theme, or special guest musicians, so the program is planned around that. I try to mix up the levels and ages of the students, in addition to developing a flow throughout the whole program. When we did a big patriotic dinner and music program one spring, I used a similar approach with narration transitioning from one piece to the next.

Sometimes we do other random things like drawing numbers out of a basket, going in order of birthdays, alphabetical order by students’ first name, alphabetical by composers last name, etc. The “sections” idea is great, too! I’m all for changing it up to keep things exciting…and to keep everybody wanting to come back to see what new ideas the recital will hold each time!

I would love to hear any other creative approaches to structuring recitals! Do you use a systematic approach? Or what other approaches have you tried that you and your students like?

Remember, if you have a question you’d like to contribute to next week’s Monday Mailbag, leave it in the comments below or send me an e-mail sometime this week with Monday Mailbag in the subject line!

Collaborative Music Festival is a Blast!

Have any of you been involved in collaborative music events this year in conjunction with MTNA’s Year of Collaborative Music? We kicked off the theme in our studio at our September Surprise last fall, continued with our Collaborative Christmas celebration, and several of my students and I participated in the festival sponsored by one of our local music teachers associations last weekend. It was so much fun! In addition to a collection of wonderful ensemble performances by area students, there was a fabulous organ demonstration. Several of my students had a great time trying out the organ and experimenting with the different stops.

Here are the video clips of the four duet performances from my studio (see if you can tell which one is the comedy routine… :-) ).

Joey and Andrew play Amazing Grace arr. Kathleen Massoud:

Natalie and Noelle play Polonaise by Wagner:

Amanda and Naomi play Rondo from Sonata in C by Mozart:

Lucas and Jedidiah play C.S. Theme and Variations by Randall Compton:

We love being together and playing together!

Effective Piano Performance Warm-Ups

Have you ever been judging at a piano event and when you tell the student that they can take a minute to warm-up before playing they tentatively depress the notes of a C-major chord and then quickly assure you that they are ready? I’ve had this happen on more than one occasion. Sadly, I’m sure that my own students have done this on more than one occasion, too!

One aspect of preparing a student to play well in an audition, evaluation, or competition is equipping them with helpful ideas for warming up at the piano on which they are to perform. Albert Frantz, of the Key-notes Piano Blog, has some good suggestions in his post, Warming up for Lessons and Performing, that I would recommend reading over so that you can pass them on to your students.

Review and Giveaway of Old MacDonald Had the Blues Piano Book by Rebekah Maxner

If student demand is any indication of quality, this music “re-telling” of classic folk songs is already destined for success! Shortly after receiving a copy of “Old MacDonald Had the Blues” from its composer, Rebekah Maxner, a student asked me what it was. I played him a sampling of some of the pieces and he’s been begging to take it home and play them himself ever since. (Thus, he is thrilled that I’ve finally finished writing the review so that he can set to work on his favorite, Twinkle, Twinkle Superstar!)

Each piece in the collection is catchy and fun, and just right for an intermediate-level student! You can get an idea of the various styles just by looking at the clever titles:

  • Old Macdonald had the Blues
  • Three Cool Mice
  • Mary had a Little Jam
  • Jack and Jill went to the Beach
  • Jazz! Goes the Weasel
  • Hickory Dickory Rock
  • Jingle Bell Swing
  • R & B Baby
  • Hot, Hot Buns
  • Twinkle, Twinkle Superstar
  • The Wheels on the Bus go Ragtime
  • London Bridge is Getting’ Down

You can watch and listen to samples of all the pieces in this colorful book on Rebekah’s website. This would be a super fun collection even for a more advanced student to play as a set in a recital, perhaps with the audience guessing what familiar folk song is hidden within the rhythms and musical twists of popular styles like Jazz, Blues, Ragtime, Latin, and more.

I am pretty sure that this new book will find a welcome reception in any studio. And Rebekah is offering the opportunity for one special studio to receive a copy for free! Just leave a comment below to be entered in a drawing to win Old MacDonald Had the Blues for your studio! And to start off the New Year giveaways, if you post a link to this giveaway on your blog, facebook, twitter, etc. you will receive one extra entry per posting. Just leave a separate comment for each posting. The drawing will be held at noon (CST) on Thursday, January 20, 2011.

Inspiration from a Home Magazine

Somehow I started receiving a subscription to Traditional Home a while ago. Magazines are one of my weaknesses, so I usually like to skim through it and see if anything catches my eye! Well, as I was making preparations for my Christmas recital about a month ago, I was contemplating what sort of design to use for the programs. I like to do something different each year, but with 12 years of recitals behind me, I was running out of ideas! Enter: Traditional Home magazine. As I was perusing it one evening, I came across this page from their Marketplace:

This is my typical M.O. for “reading” magazines: I skim through them quickly, circle any points of interest and make accompanying notes, then go back through and tear out all the pages on which I made notes. On the page above, you can see that I circled a paper design for some custom gift tags. I loved the look of the design and thought it would be perfect for our Christmas recital program!

Thankfully, the winning student artwork for the cover was an excellent fit with the design! The program consisted of five interior pages, plus the front and back cover, then tied with the sparkling red, green, blue, and silver ribbon at the top. Just goes to show that you never know where inspiration will come from for the current project. And I think we can also surmise that one should never feel guilty for reading magazines – it might contain just the idea you need! :-)