A Wealth of Thoughts on Early Childhood Development and Music Programs

Even though I have had a number of students begin piano lessons with me as early as 3 and 4-years old, I feel like I have a long ways to go in learning and understanding the most effective approaches for working with children this young. That’s why I made a point to keep Jenny’s post, Preschool Music: Methods & Schools of Thought, open in my browser tabs until I had a chance to read it. It took me longer than I realized to get to it (she wrote the post in May!), but I’m so glad I did! Not only does she have some helpful thoughts and links in the post, the comments led me to some other wonderful resources!

The Make Me Musical! blog by Susan Seale looks like a great place to pick up tips on working with little ones. The Early Childhood Music & Movement Association is will probably provide a good first step for researching and learning more about early childhood development and various philosophies. Blogger Laura Lowe shares some helpful insights from her extensive experience in the post, Piano Lessons for Twos and Threes?. The book, The Well Balanced Child: Movement and Early Learning, by Sally Goddard Blythe has been added to my wishlist and I look forward to gleaning additional information and practical ideas from it for approaching music education with young children from a holistic perspective. The Institute for Neuro-Physiological Psychology website looks really interesting, too. I’ve just barely begun to look over it, but plan to look over it more extensively in the coming days.

Also, for anyone who’s interested in a deeper look into the American government education system and those who have guided its formation over the years, I read R. J. Rushdoony’s work, The Messianic Character of American Education, earlier this year and found it to be quite enlightening.

As fascinating as it is to study developmental theories and educational philosophies, I usually take it all with a grain of salt, so to speak. As a firm believer that man is uniquely created by a personal God, the only unchanging revelation about man’s nature is the inspired Word of God – the Bible. While much can be gained from the discoveries and research of others who have devoted their lives to understanding the complexities of human form and function, all of it is susceptible to inconsistencies and flaws. Not to mention that a lot of times one body of research contradicts another and leaves you wondering whether you’re helping or harming the child with whatever approach you’re using! Anyway…it’s good for me to remember that as I delve into research and study of different areas, I always have one source that I can turn to and depend on for absolute Truth.

The Difference Between Teaching Boys and Girls

It’s fascinating to study psychology and try to gain a deeper understanding of our design and how it contributes to various areas of life. Earlier this year, I came across a short book titled, In God’s Image After All, after hearing the author speak at a seminar. It was so interesting and got me to thinking about all sorts of different concepts and how they are relevant to me as a teacher.

Several weeks ago I came across this post by Chad Twedt called, Why Gender Matters in Music Performance Anxiety. Perhaps because of his reference to the book, Why Gender Matters, I was also reminded of a workshop I attended by Andrew Pudewa – a violinist and educator – who also referenced this book in his session. His workshop title was even more attention-grabbing, though: Teaching Boys and Other Children Who Would Rather Make Forts All Day. Anyone else have students like that? :-)

While not everyone fits the stereotypical male/female characteristics, there is so much to be gleaned and applied from these studies that are willing to dig a little deeper into human design and acknowledge that there are differences inherent of the two sexes. This observation from Chad seems all too true in my studio most of the time:

“Boys think they’ve practiced enough when they really haven’t, and girls think they haven’t practiced enough when they really have. Consequently, girls will tend to prepare more carefully and thoroughly for a performance than boys.”

And I have to say that I personally found this comment rather amusing:

“Then I remembered something else from the third chapter of Why Gender Matters: boys tend to overestimate their abilities, while girls tend to underestimate them. This is certainly at least a partial reason why there are slightly more females than males in the world: less females die of sheer stupidity each year.”

I think that being aware of some of these underlying differences will be helpful in knowing how to more effectively teach practice skills and performance preparation. And I think this will be my new motto for all my male students:

“Risk-taking is only a good thing if it’s supported by an appropriate level of skill.”

Think they’ll go for that?! :-)

A Great Way to Start Off Piano Camps!

Finding Focus. That was the title I gave to our first activity each day of last week’s Kick-it-up-a-Notch! piano camp. Prior to the class I selected a piece of music approximately 10 minutes long. I printed the title at the top of a page in the student workbooks, but other than that I left the page blank. The goal was that each student would use the first 10 minutes of our time together to give their mind and body a rest from all the other activities of the day and prepare for the couple of hours we would be spending in intense music study.

During the Finding Focus time, the students could write or draw on the corresponding page in their workbook, finish up homework from the previous day, close their eyes and relax, or just sit and watch the clip on YouTube as the selection played. There was nothing particularly special about the selections (except that they are some of my favorite pieces!), but this proved to be an excellent way to start out each class session. It did seem to help the students focus and prepare for our studies, and it also gave them exposure to some beautiful music that hopefully inspired them as much as it did me to just sit back and listen!

An Amazing Resource for All Your Music Theory and Music History Needs!

Ever wanted to gain a broader understanding of the development of music notation through the ages? Or perhaps you want to know more about intervals. Maybe you’d like to take a look at one of over 1,000 different scales and its pattern.  Or maybe you need some great visuals and explanations for helping your students grasp the concept of hemiola in their pieces. Not to worry! All this an more – tons more – can be found at Dolmetsch.com – a compendium of all things music history and music theory. I used this site extensively in preparation for our Kick-it-up-a-Notch! piano camps. It’s definitely one of those resources that should probably be at the top of the list of every music teacher’s bookmarked sites!

Kick-it-up-a-Notch! Kicks Off!

As I mentioned in my Summer Musings post, we gave piano camps a bit of a twist this year in my studio. I wanted to give my older students an opportunity to study music in a more intensive way than we are able to throughout the year. Thus was borne, “Kick-it-up-a-Notch!”

It has been a ton of work for both the students and me, but I think I speak for all of us in saying that it has been well worth it! They found out really quickly that when I said, “intensive,” I meant “intensive.” :-) In order to participate, each student had to commit to practicing at least an hour between each session. This time is split each day between written theory homework, technique, and solo repertoire. I have been so impressed with their dedication and hard work!

Since it’s been so quiet on the blog this week, I thought you all might like to catch a glimpse into what we’ve been doing:

The essential planning supplies: hot tea, notebook and pen, books for research, iPod Touch with everything else!

The first group of the day includes these four. Naomi and Amanda practice one of their duets while Joey and James do some analysis of their piece.

During the second group of the day, Suzie and Hannah discuss the duet that they’re working on.

Noelle and Abigail have fun sight-reading and perfecting their duets!

A snapshot of one of the students’ notebooks from our discussion on “Principles of Notation.” Surprisingly enough, this has been one of the favorite segments so far for several of the students.

Today is the final day for these two groups, so I’m hoping to share more from our experiences in the coming days!