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	<title>Comments on: Prescription for Scale Sickness</title>
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	<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/</link>
	<description>inspiring creativity in music education</description>
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		<title>By: kate</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97579</link>
		<dc:creator>kate</dc:creator>
		<pubDate>Mon, 02 Nov 2009 21:23:31 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97579</guid>
		<description>To make scales more fun I incorporate scales with the modes idea of a chord makes the sound and the sound can be a mode enhancer.</description>
		<content:encoded><![CDATA[<p>To make scales more fun I incorporate scales with the modes idea of a chord makes the sound and the sound can be a mode enhancer.</p>
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		<title>By: Jeffrey Agrell</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97458</link>
		<dc:creator>Jeffrey Agrell</dc:creator>
		<pubDate>Fri, 30 Oct 2009 17:50:16 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97458</guid>
		<description>To make scale study interesting and a lot more useful:

1. Play scales like music: vary tempo, articulation, dynamics, note values.

2. Play as duets with another player (imitate, play in canon, etc.).

3. Play different scale lengths - why should you only practice octaves? 

4. Express something. Use the scale to depict a mood or emotion, animal, object, landscape.

5. Add accents: duple, triple, 2+3, 3+2, 2+2+3, 3+2+2, 3+3+2, etc. Play with another player who is playing a different accent pattern, e.g. you play duple, they play triple; you play 2+3, they play 3+2.</description>
		<content:encoded><![CDATA[<p>To make scale study interesting and a lot more useful:</p>
<p>1. Play scales like music: vary tempo, articulation, dynamics, note values.</p>
<p>2. Play as duets with another player (imitate, play in canon, etc.).</p>
<p>3. Play different scale lengths &#8211; why should you only practice octaves? </p>
<p>4. Express something. Use the scale to depict a mood or emotion, animal, object, landscape.</p>
<p>5. Add accents: duple, triple, 2+3, 3+2, 2+2+3, 3+2+2, 3+3+2, etc. Play with another player who is playing a different accent pattern, e.g. you play duple, they play triple; you play 2+3, they play 3+2.</p>
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		<title>By: Marcia</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97319</link>
		<dc:creator>Marcia</dc:creator>
		<pubDate>Thu, 29 Oct 2009 06:22:51 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97319</guid>
		<description>Keyboard skills - scales, chords, arpeggios - are a given, the first item on the student&#039;s assignment sheet.  &#039;Completed all assignments&#039; is an item for composer bucks in my studio. Students understand why we study scales (or pentascales) when they can identify them in pieces they play. IMO the best way to excite students about scales and chords is to teach them within the context of a piece they love.</description>
		<content:encoded><![CDATA[<p>Keyboard skills &#8211; scales, chords, arpeggios &#8211; are a given, the first item on the student&#8217;s assignment sheet.  &#8216;Completed all assignments&#8217; is an item for composer bucks in my studio. Students understand why we study scales (or pentascales) when they can identify them in pieces they play. IMO the best way to excite students about scales and chords is to teach them within the context of a piece they love.</p>
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		<title>By: Mikaela</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97312</link>
		<dc:creator>Mikaela</dc:creator>
		<pubDate>Thu, 29 Oct 2009 04:38:45 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97312</guid>
		<description>Natalie, 
Do your students &quot;get&quot; the fingering of scales, or are you not concerned with that? I worry that, by losing the scale books, my students will use incorrect fingering...they struggle with that now, when they have it right in front of their faces!</description>
		<content:encoded><![CDATA[<p>Natalie,<br />
Do your students &#8220;get&#8221; the fingering of scales, or are you not concerned with that? I worry that, by losing the scale books, my students will use incorrect fingering&#8230;they struggle with that now, when they have it right in front of their faces!</p>
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		<title>By: eugene cantera</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97273</link>
		<dc:creator>eugene cantera</dc:creator>
		<pubDate>Wed, 28 Oct 2009 16:58:26 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97273</guid>
		<description>I think too  much time and energy can be wasted in either &#039;convincing&#039; students that scales are important and/or creating sneaky interesting ways to include scales in a lesson plan.  

Scales can be done as an ear training exercise (call and response) or as a warm up. In these ways, they don&#039;t seem like the main emphasis of a lesson or add any undue &#039;pressure&#039; on students.</description>
		<content:encoded><![CDATA[<p>I think too  much time and energy can be wasted in either &#8216;convincing&#8217; students that scales are important and/or creating sneaky interesting ways to include scales in a lesson plan.  </p>
<p>Scales can be done as an ear training exercise (call and response) or as a warm up. In these ways, they don&#8217;t seem like the main emphasis of a lesson or add any undue &#8216;pressure&#8217; on students.</p>
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		<title>By: Heidi N</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97270</link>
		<dc:creator>Heidi N</dc:creator>
		<pubDate>Wed, 28 Oct 2009 15:52:40 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97270</guid>
		<description>My daughter&#039;s teacher posted an all star scales chart in her studio and had the students move their &quot;baseball player&quot; around the bases for each group of scales they learned.  She was really motivated by the competition and was excited one of the first to make it &quot;home&quot;.

I also found the Olympic approach to be very effective.  One of my students was even more interested in passing off scales then learning her songs.</description>
		<content:encoded><![CDATA[<p>My daughter&#8217;s teacher posted an all star scales chart in her studio and had the students move their &#8220;baseball player&#8221; around the bases for each group of scales they learned.  She was really motivated by the competition and was excited one of the first to make it &#8220;home&#8221;.</p>
<p>I also found the Olympic approach to be very effective.  One of my students was even more interested in passing off scales then learning her songs.</p>
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		<title>By: Mindy</title>
		<link>http://musicmattersblog.com/2009/10/28/prescription-for-scale-sickness/comment-page-1/#comment-97268</link>
		<dc:creator>Mindy</dc:creator>
		<pubDate>Wed, 28 Oct 2009 15:22:47 +0000</pubDate>
		<guid isPermaLink="false">http://musicmattersblog.com/?p=1030#comment-97268</guid>
		<description>Thank you, Natalie. After I posted that, I was afraid I sounded like I was whining. I&#039;m anticipating reading all the ideas.</description>
		<content:encoded><![CDATA[<p>Thank you, Natalie. After I posted that, I was afraid I sounded like I was whining. I&#8217;m anticipating reading all the ideas.</p>
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